Technical Textile

To effectively select the ideal transfer coating, understanding its application and process is crucial. According to various experts, transfer coating involves a structured series of steps that ensure high-quality results, particularly in technical textiles.

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• The first step involves applying the coating on a resin, which will subsequently form the top layer on the transfer paper. Our sustainable water-based polyurethane and acrylic polymers are specifically developed for this application.
• The next layer of coating acts as a base layer, functioning as an adhesive that bonds seamlessly with the top layer on the fabric.

After these applications, the fabric is placed over the coating, ensuring they are clasped together. This is followed by the evaporation of water and crosslinking of the two layers.

Ultimately, the coated fabric can be peeled off from the release paper.

This coating technique is predominantly used in high-end transfer coated polyurethane fabrics, which are quintessential in the production of waterproof protective clothing. Furthermore, transfer coated polyurethane finds applications in various sectors such as upholstery, luggage, footwear, gloves, and even in modified processes aimed at fabric and garment production.

Painting on Top of an Image Transfer

Have you ever considered transferring a pattern, design, or image onto stretched canvas and then painting over it? With the InkAid method, this is entirely achievable. The process not only allows for the transfer of images but also demonstrates how to seal the transferred image to achieve a matte finish.

The InkAid process efficiently transfers images onto stretched canvases. If this is your initial attempt at an InkAid image transfer, you may have some queries. That’s why I’ve prepared a video guiding you step-by-step through the making of your first transfer, alongside a free downloadable guide.

To seal or not to seal, that is the question.

Sealing your image transfer isn't mandatory and really depends on personal preference. The main advantage of sealing is that it lets you paint on top without the risk of smudging. The video I created illustrates the impact sealing has, allowing you to make an informed decision about whether to incorporate it.

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When sealing with gel medium, remember two crucial aspects: utilize minimal pressure and avoid excessive strokes. Overworking the transfer will likely lead to smearing.

How a transfer behaves if it's sealed or not sealed

If sealed, you can apply paint, watercolor, or other mediums without causing smears. If left unsealed, there's a risk of smearing the image. However, with careful brushstrokes and light pressure, it’s possible to paint on unsealed transfers without significant smears. The video provides a visual comparison to better illustrate this concept.

Sealing it will make it matte.

An unsealed image transfer typically retains some shine when dried. If you prefer a matte finish, seal it with a thin layer of matte gel medium. This is my favored method, although a matte spray sealer is also a viable option. Both accomplish the goal, so your choice will boil down to personal preference. A downside to the spray option is its odor and the necessity to apply it outdoors.

This canvas was sealed, and once the gel medium dried, it was the perfect opportunity to add color. The presence of the image transfer made it akin to paint-by-numbers; my role was simply to fill in the open spaces. While technically not paint-by-numbers due to the absence of numbers, the analogy holds true.

Contemplating your first InkAid image transfer? I offer a printable step-by-step guide as well as images to facilitate the process, plus it will enroll you in my weekly newsletter, which features a new printable each week!

Interested in exploring more image transfer ideas? Check out all my videos regarding InkAid here.

Supplies

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